Additions schematic. Image credit: LPC.

After 2014 plan was withdrawn in face of public outcry, museum presented Selldorf-designed proposal to create more space for exhibitions, conservators, and educational programs. On May 29, 2018, the Landmarks Preservation Commission considered a proposal for the construction of rear and roof additions, as well as additional work, to the Frick Collection, an individual City landmark. The Frick was built as a mansion for industrialist Henry Clay Frick by the firm of Carrere and Hastings, and was converted to a museum displaying his art collection after his death. The building and its grounds stand at 895 Fifth Avenue on the Upper East Side of Manhattan. (more…)

Graffiti has become much more than spray-painted tags and quickly disappearing pieces on train cars and underpasses. In some quarters it is now high art. Highly prized are works by Shepard Fairey, the artist behind the “Hope” poster Fairey made for Barack Obama’s presidential campaign, Jean-Michel Basquiat, who began as a graffiti artist and whose works today command huge prices, and Banksy, whose street works are carefully preserved.  These dramatic changes in the nature and importance of graffiti have created major shifts in and problems for artists and intellectual property law, as well as for property owners. The tensions are very evident in the most recent judicial opinions in the dispute between artists who used to paint at 5Pointz in Long Island City in Queens and the developers who destroyed the highly decorated buildings for construction of two large apartment buildings which are now under construction. (more…)

Rendering of the interior of the Museum. Image Credit: LPC.

Approved addition, occupying a quarter acre of parkland, will increase connections for better museum circulation, provide additional space to store collection materials, and allow visitors to watch scientists at work. At its meeting on October 11, 2016, the Landmarks Preservation Commission voted to issue a binding report for the construction of an addition, and associated demolition, to the American Museum of Natural History, an individual landmark on Manhattan’s Upper West Side. The addition, to be named the Gilder Center for Science, Education and Innovation, will be the first significant intervention on the museum campus since the completion of the Rose Center for Earth and Space in 2000. The addition would be sited on the western side of the museum, and would create new Columbus Avenue public entrance. (more…)

LPC staff archaeologist Jessica McLean discussing select items from the repository. Image Credit: CityLand

The City’s archaeological resources now stored in one secure, climate-controlled space, catalogued, and collection digitized for public. On October 5, 2016, the Landmarks Preservation Commission held a ceremony unveiling the New York City Archaeological Repository: Nan A. Rothschild Research Center at 114 West 47th Street in Midtown Manhattan. The repository holds 1518 boxes of archaeological artifacts in a 1439-square-foor climate-controlled space donated by the Durst Organization. Until consolidated at the repository, the items were stored at multiple locations throughout the City, with varying degrees of access and oversight. In a press release, Landmarks stated that the Center made New York the first municipality to systematically collect, catalogue, curate, and make accessible its archaeological resources. (more…)

Reverend Joseph Upole

I presently serve as pastor, of St. Paul’s United Methodist Church. The church, formerly St. Paul’s Methodist Episcopal Church, 7558 Amboy Road in Tottenville, Staten Island, has been in existence for 156 years and has seen so many changes over the years that, to my mind, it truly does not meet the criteria of “historic landmark.” But the larger issue isn’t really about St. Paul’s UMC specifically, but about the nature of the church and the nature of landmarking. (more…)